I just uploaded the photo set from the Robot Japan visit to to the Lizland studio/gallery:
I've created a playlist (below) with eight videos of the Robot Japan 3 event held January 8, 2012 here in Tokyo. The videos include the final matches and playoffs in both the Middle Weight and Bantam Weight humanoid robot fights, the robot dance performances, and some of the robot demonstrations.
’ROBOT JAPAN 3 Event Videos (Video)’ continues
I first met Liz Mamorsky at RoboGames 2008 when she entered the ArtBot category with some of her amazing robot creations. Needless to say, we hit it off immediately and have been good friends ever since.
’LIZLAND – Robot ArtBots Galore’ continues
Besides being a totally awesome humanoid robot designer, Azusa Amino is also a master showman. Well known for his Toko Toko Maru ROBO-ONE champion class robot, Amino never fails to surprise and delight audiences and robot fans with colorful and action packed robot performances specifically designed to fit in with the theme of a competition.
He consistently goes to extremes to make his robot designs, costumes, and performances as realistic as possible, even when that requires developing new techniques. Pay close attention about half way through the video below and you will immediate see what I mean. The video was captured during the Robot Japan 2 Dance competition and clearly demonstrates why Toko Toko Maru was awarded First Place.
The original Keepon robot, developed by Hideki Kozima at Miyagi University in Japan, was incredibly cute and engaging, to the point that people just couldn't help smiling, laughing, and moving in sync while the robot danced to music or used it's built-in sensors to interact realistically with them.
The Keepon design concept was intended to explore the possibility that a simple emotive robot could help autistic children with communication and learning challenges. Most autistic children tend to be completely overwhelmed by the volume of input and sensory data involved in even the most basic social interactions. It's kind of like trying to take a drink of water from a fire hose. Kozima's insight, which turned out to be right on the money, was to reduce the flood of inputs to a minimum while packaging the robot in an appealing, friendly body.
A couple days ago I blogged a photo of Data The Robot doing stand-up comedy routines at the Lincoln Center. Data's owner/operator/muse is non-other than Heather Knight, a.k.a. "Marilyn Monrobot". Heather modestly describes herself as a "Social Roboticist" but her talents go way beyond that humble title. She's pursuing her doctoral research at CMU in Pittsburgh, doing applications design with Aldebaran Robotics, creating interactive installations, while somehow finding the time to put on engaging and entertaining robot and technology gigs that artfully combine traditionally cold/sharp/hard technology with soft/feeling/emotional art and creativity.
Check out Data The Robot, and Heather, in the video below recorded live at the Gramercy Theatre in New York City earlier this summer.